speckund.me
inspired by minimalism and simplicity,
monochrome and black & white,
slow photography and art.
mistletoe

Mistletoe. February 2025
JPEG-file SOOC (straight out of camera, without any further editing except framing).



3D pop

SMC PENTAX-M 1:3.5 28mm (announced 1977) SLR lens adapted to Canon EOS R

Text and photography (February 2025) by Christian Speck.
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I wanted to test my vintage SMC PENTAX-M 1:3.5 28mm (announced 1977) SLR lens for 3D pop. The lens was adapted to my Canon EOS R.

What is 3D pop?

3D pop is an effect in photography where the subject stands out from the background, creating an attractive 3D look in a 2D image. High overall contrast combined with high micro-contrast creates the perception of 3D pop. Many people cannot see this 3D rendering effect. 3D pop is often mistakenly confused with «bokeh».

Lenses with high 3D pop are based on a simple optical design with only a few lenses in a few groups. Shot at wide apertures, 3D pop is at its most pronounced - images are very sharp in the centre, but the edges are poor, with a lot of vignetting (darkening of the edges) and a lot of colour shift.

Many modern lenses are corrected to be sharp all around the frame; they have almost no distortion, chromatic aberration and colour shift. They are based on complex optical designs with many lenses in many groups to correct all optical errors. However, the complex design results in a loss of micro-contrast and in 3D pop.

In particular, vintage lenses with simple optical constructions are known for their strong 3D effects, as are the lenses from Zeiss and Leica.

If you are interested in 3D pop, micro contrast and MTF curves read more here.



forest

Forest. February 2025
JPEG-file SOOC (straight out of camera, without any further editing except framing).




Results

I was blown away by the 3D pop of the mistletoe shot. Shot wide open at f4, it produced a huge 3D pop, good sharpness in the centre with soft transitions to the swirling bubble background. Dreamy. - This could be my favourite full frame 28mm lens!

The photograph of the forest though was stopped down and shot at f11. There is good sharpness all around the frame, but no 3D pop and no glow.


Sources / Literature

1 Nasse, H. H., 2008: How to read MTF curves (part I). Carl Zeiss. Camera Lens Division. → Original.
2 Nasse, H. H., 2008: How to read MTF curves (part II). Carl Zeiss. Camera Lens Division. → Original.
3 Chambers, Lloyd, 2017: Micro Contrast and the ZEISS ‘Pop’ – by Lloyd Chambers.
4 Hong, Yannick, 2016: Micro-Contrast, the biggest optical luxury of the world.
5 Shanidze, Irakly, 2018: Microcontrast. Another Look.